In 1997 Ornette was elected to the American Academy of Arts and Letters. National Public Radio devoted a 10-minute piece on the, to them, somewhat incongruous achievement. The handwriting on the cassette label is my father’s. Solid, Jackson.
In this Substack podcast I listen to albums and cassettes from the collection of my father, the late jazz bassist Charlie Haden. If you like what you hear, please consider subscribing. I’m writing a book of Memoires about life, death, jazz, slowcore, and survival. The address is joshhaden.substack.com.
All Things Considered
Ornette Coleman profile by Dean Olsher
1997
Tracks include:
Free Jazz (excerpt), from The Ornette Coleman Double Quartet, Free Jazz (1961, Atlantic)
Focus On Sanity (excerpt), from Ornette Coleman, The Shape Of Jazz To Come (1959, Atlantic)
Kathelin Gray (excerpt), from unreleased live Ornette Coleman recording
Das Musikalisches Opfer, BWV 1079 (excerpt), from Johann Sebastian Bach, Linde-Consort (1981, Angel)
Miguel's Fortune (excerpt), from Ornette Coleman & Prime Time, Tone Dialing (1995, Harmolodic/Verve)
Just For You (excerpt), from Ornette Coleman, The Shape Of Jazz To Come (1959, Atlantic)
What A Friend We Have In Jesus (Variation) (excerpt), from Ornette Coleman, Sound Museum (1996, Harmolodic/Verve)
All words & images © 2024 Josh Haden, except where noted. All rights reserved.
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